“[Aciman’s] most sensible thus far. . . . An existentialist experience precious of Kerouac.”—Clancy Martin, New York occasions publication Review
André Aciman has been hailed as "the most fun new fiction author of the twenty-first century" (New York magazine), a "brilliant chronicler of the disconnect…between who we're and who we want we would were" (Wall road Journal), and a author of "fiction at its such a lot supremely fascinating" (Colm Tóibín). Now, along with his 3rd and such a lot bold novel, Aciman promises a chic and strong story of the wages of assimilation—a relocating tale of an immigrant’s remembered formative years and the approximately forgotten expenses and sacrifices of turning into an American.
It’s the autumn of 1977, and amid the beautiful, leafy streets of Cambridge a tender Harvard graduate scholar, a Jew from Egypt, longs greater than something to turn into an assimilated American and a professor of literature. He spends his days in a delightful blur of seventeenth-century fiction, but if he meets a brash, charismatic Arab cab driving force in a Harvard sq. café, every thing changes.
Nicknamed Kalashnikov—Kalaj for short—for his machine-gun vitriol, the cab driving force roars into the student’s existence together with his denunciations of the yank obsession with "all issues jumbo and ersatz"—Twinkies, monster tv units, all-you-can-eat buffets—and his outrageous declarations on love and the paintings of seduction. the coed unearths it difficult to withstand his new friend’s magnetism, and sooner than lengthy he starts off to overlook his stories and reside a double lifestyles: one within the rarified global of Harvard, the opposite as an exile with Kalaj at the streets of Cambridge. jointly they carouse the bars and cafés round Harvard sq., alternate intimate money owed in their amorous affairs, argue concerning the American dream, and skinny-dip in Walden Pond. yet as ultimate assessments loom and Kalaj has his license revoked and is threatened with deportation, the coed faces the choice of his lifestyles: even if to grasp to his dream of latest global assimilation or chance all of it to safeguard his outdated global friend.
Harvard Square is a sexually charged and deeply American novel of identification and aspiration at odds. it's also an unforgettable, relocating portrait of an not going friendship from one of many most interesting stylists of our time.